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<channel>
	<title>Gary Holme</title>
	<link>https://garyholme.com</link>
	<description>Gary Holme</description>
	<pubDate>Fri, 14 Feb 2025 02:29:49 +0000</pubDate>
	<generator>https://garyholme.com</generator>
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	<item>
		<title>Landing Page</title>
				
		<link>https://garyholme.com/Landing-Page</link>

		<pubDate>Thu, 18 Mar 2021 00:55:02 +0000</pubDate>

		<dc:creator>Gary Holme</dc:creator>

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		<description>&#38;nbsp;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d23b04f7cc3c47b81d03e1ed19eb7701816defbd098f398c9f852c2d8686c64b/HEADER-GIF.gif" data-mid="208047388" border="0"  src="https://freight.cargo.site/w/1000/i/d23b04f7cc3c47b81d03e1ed19eb7701816defbd098f398c9f852c2d8686c64b/HEADER-GIF.gif" /&#62;
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		<title>Art</title>
				
		<link>https://garyholme.com/Art</link>

		<pubDate>Thu, 18 Mar 2021 00:55:00 +0000</pubDate>

		<dc:creator>Gary Holme</dc:creator>

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		<description>

Welcome to my main website, where fifty years of Art, Design, and Advertising converge into a sometimes messy, maxilmaist mix of everything all at once.&#38;nbsp;
But don’t worry you’re safe here. 
This is the Art Part. &#38;nbsp;

You'll find a bunch of my creations over the years below. Every piece that you see on this page is an expression of my passion for making things that I like, and assume others will too. But if they don’t that’s ok, too. I make stuff that I would like, if I wasn’t me.&#38;nbsp;
Stuff here is grouped with some thought by genre, concept, timeline, theme, series, medium, or just the joy that comes with creating something cool with no rhythm or reason. Art becomes design, design becomes ads, ads become art, it’s all a big crazy mash-up.&#38;nbsp;Some of my work over a lifetime of making art, design &#38;amp; advertising is being made available as limited editon prints. Signed authenticated, the whole nine yards.
The print below, “Jerry Has A Bad Habit” was originally drawn in 1984, and is being printed in a batch run this year. &#38;nbsp;
You can purchase one here or if you’re interested in a commission or want to learn more about collaborations, corporate sponsorships, or events, contact me&#38;nbsp;here.&#38;nbsp;

&#60;img width="3024" height="3192" width_o="3024" height_o="3192" data-src="https://freight.cargo.site/t/original/i/aefc51bb09c52b42491a8bfece45202a5be2216a3ebde82535724e0026680a5d/JerryOnAWall_Cropped.png" data-mid="231888097" border="0"  src="https://freight.cargo.site/w/1000/i/aefc51bb09c52b42491a8bfece45202a5be2216a3ebde82535724e0026680a5d/JerryOnAWall_Cropped.png" /&#62;
&#60;img width="739" height="415" width_o="739" height_o="415" data-src="https://freight.cargo.site/t/original/i/33d6cf881e67dedf2e7aa03140e8c6129c18dbee080cc1fa86ff8db3002fd2c1/OneMinute_Art_Dance_Video_Mobygratis_051625_Rev4-high-3.gif" data-mid="233810903" border="0"  src="https://freight.cargo.site/w/739/i/33d6cf881e67dedf2e7aa03140e8c6129c18dbee080cc1fa86ff8db3002fd2c1/OneMinute_Art_Dance_Video_Mobygratis_051625_Rev4-high-3.gif" /&#62;
&#60;img width="3900" height="3997" width_o="3900" height_o="3997" data-src="https://freight.cargo.site/t/original/i/5efa4bfba5ab4063190ac956fe839aed95a5ced3b68f411b2aee05f284addb9c/Jerry_MasterImage012825.png" data-mid="227002150" border="0"  src="https://freight.cargo.site/w/1000/i/5efa4bfba5ab4063190ac956fe839aed95a5ced3b68f411b2aee05f284addb9c/Jerry_MasterImage012825.png" /&#62;
&#60;img width="4284" height="5712" width_o="4284" height_o="5712" data-src="https://freight.cargo.site/t/original/i/83809079ebfb1d9b81e8429d3957e6565f67dcb93141ab64c106e0093ec000d0/Gary-Jerry.jpg" data-mid="237159328" border="0"  src="https://freight.cargo.site/w/1000/i/83809079ebfb1d9b81e8429d3957e6565f67dcb93141ab64c106e0093ec000d0/Gary-Jerry.jpg" /&#62;
"Jerry Has A Bad Habit" 2024, 22" x 22" print on paper.

I learned to draw and paint in the mid-seventies. Below, some oil on canvases, that I mainly stretched myself. Late 20th century American Impressionism was the style, school and color palette, similar to painters from the Boston School, artists like Edmund C. Tarbell, Frank Weston Benson, and William Paxton.



&#60;img width="2679" height="3461" width_o="2679" height_o="3461" data-src="https://freight.cargo.site/t/original/i/4c6866cfbeba1e06ba33f5651974f65d4695e298f5abf6d313d49bc36e1c0128/IMG_3089.JPG" data-mid="103303648" border="0"  src="https://freight.cargo.site/w/1000/i/4c6866cfbeba1e06ba33f5651974f65d4695e298f5abf6d313d49bc36e1c0128/IMG_3089.JPG" /&#62;
&#60;img width="1120" height="1439" width_o="1120" height_o="1439" data-src="https://freight.cargo.site/t/original/i/7ad16f42fe34a44b15c3349fde70e74a607f4eca7c71d8f742807f22c647e41e/DeerandGun.png" data-mid="103561736" border="0"  src="https://freight.cargo.site/w/1000/i/7ad16f42fe34a44b15c3349fde70e74a607f4eca7c71d8f742807f22c647e41e/DeerandGun.png" /&#62;
&#60;img width="1951" height="1562" width_o="1951" height_o="1562" data-src="https://freight.cargo.site/t/original/i/8bb709655eae508976fb7abb6f815dd21a8fc187cd0edf8c6c29085dd9e701c1/711Speedway.png" data-mid="103561110" border="0"  src="https://freight.cargo.site/w/1000/i/8bb709655eae508976fb7abb6f815dd21a8fc187cd0edf8c6c29085dd9e701c1/711Speedway.png" /&#62;
&#60;img width="1457" height="1160" width_o="1457" height_o="1160" data-src="https://freight.cargo.site/t/original/i/65d28b36e4204bf56cc00f849611c5abc595bbaed69a451350b8927586861430/FlowerStillLife.png" data-mid="148080488" border="0"  src="https://freight.cargo.site/w/1000/i/65d28b36e4204bf56cc00f849611c5abc595bbaed69a451350b8927586861430/FlowerStillLife.png" /&#62;

(L to R)&#38;nbsp;
“Self Portrait”, 1979, 11”x14” Oil on Canvas, Detroit, Michigan
“Deer And The Gun That Killed It”, 1979, 16” x 20”, Oil on Canvas,&#38;nbsp;Upper Peninsula, Michigan“Flowers in a Bowl”, 1979, 20” x 16”,&#38;nbsp;Oil on Canvas, Harper Woods, Michigan“Speedway 7-11”, 1980,  9”x12”, Oil on Canvas, Tucson, Arizona


&#60;img width="800" height="1280" width_o="800" height_o="1280" data-src="https://freight.cargo.site/t/original/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" data-mid="149253192" border="0" data-scale="41" src="https://freight.cargo.site/w/800/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" /&#62;


&#38;nbsp;

&#60;img width="3648" height="2736" width_o="3648" height_o="2736" data-src="https://freight.cargo.site/t/original/i/dfb335d39a0960a688e8f8c25f626972fde75de9fa75a694eb46b5cc3554b322/IMG_1584.jpg" data-mid="103559002" border="0"  src="https://freight.cargo.site/w/1000/i/dfb335d39a0960a688e8f8c25f626972fde75de9fa75a694eb46b5cc3554b322/IMG_1584.jpg" /&#62;
&#60;img width="1382" height="1111" width_o="1382" height_o="1111" data-src="https://freight.cargo.site/t/original/i/1a0e1d1db72eb69c71d3461c88c031f428e93506477a6bcc181f4515f78d4ef4/MtClemensField.jpg" data-mid="103795162" border="0"  src="https://freight.cargo.site/w/1000/i/1a0e1d1db72eb69c71d3461c88c031f428e93506477a6bcc181f4515f78d4ef4/MtClemensField.jpg" /&#62;
&#60;img width="1930" height="1439" width_o="1930" height_o="1439" data-src="https://freight.cargo.site/t/original/i/701f41f2f25b98a54d9523be816f38f35aac7b3725ee6bd41bf702f2be32738b/St.ClairRiver.png" data-mid="103561376" border="0"  src="https://freight.cargo.site/w/1000/i/701f41f2f25b98a54d9523be816f38f35aac7b3725ee6bd41bf702f2be32738b/St.ClairRiver.png" /&#62;
&#60;img width="1461" height="1080" width_o="1461" height_o="1080" data-src="https://freight.cargo.site/t/original/i/50bf239a82b9f30948bbc58fa341afe111b7e99a719ceb1bffbfe3b71625c6d1/Baja.png" data-mid="148419799" border="0"  src="https://freight.cargo.site/w/1000/i/50bf239a82b9f30948bbc58fa341afe111b7e99a719ceb1bffbfe3b71625c6d1/Baja.png" /&#62;

(L to R) 
“Owen Sound Field”, 2007, 11”x14” Oil on Canvas“Mt. Clemens Creek On A Hot Summer Day”, 1980, 20”x16” Oil on Canvas (Private Collection)“St. Clair River in the Cold-Ass Winter”, 1980, 20”x16” Oil on Canvas&#38;nbsp;(Private Collection) “Baja”, 1980, 12”x9”, Oil on Canvas (Private Collection)
&#38;nbsp;
&#60;img width="800" height="1280" width_o="800" height_o="1280" data-src="https://freight.cargo.site/t/original/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" data-mid="149253192" border="0" data-scale="49" src="https://freight.cargo.site/w/800/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" /&#62;

After starting in advertising, I still wanted to draw and paint. So I did that, whenever I could. Like all the illustrations I created below, from an ad agency new business brochure, at the agency I worked at as an art director.



&#60;img width="2548" height="3456" width_o="2548" height_o="3456" data-src="https://freight.cargo.site/t/original/i/f44eca35ec290b784c92569f36ab4ef517e6011501b8b60297a8375b20916afa/Faces.jpg" data-mid="103303643" border="0"  src="https://freight.cargo.site/w/1000/i/f44eca35ec290b784c92569f36ab4ef517e6011501b8b60297a8375b20916afa/Faces.jpg" /&#62;
&#60;img width="2548" height="3432" width_o="2548" height_o="3432" data-src="https://freight.cargo.site/t/original/i/0a0b79c8431d95b4949304b9b935793a467962170b6805724d599cdf82c5dca6/OnTarget.jpg" data-mid="103303651" border="0"  src="https://freight.cargo.site/w/1000/i/0a0b79c8431d95b4949304b9b935793a467962170b6805724d599cdf82c5dca6/OnTarget.jpg" /&#62;
&#60;img width="2494" height="3504" width_o="2494" height_o="3504" data-src="https://freight.cargo.site/t/original/i/7607e0a9c7047d2be1202844a5fa3acf8bf9708cabea1856526b7bc52fab3081/Bridge_cropped_reduced.jpg" data-mid="103303999" border="0"  src="https://freight.cargo.site/w/1000/i/7607e0a9c7047d2be1202844a5fa3acf8bf9708cabea1856526b7bc52fab3081/Bridge_cropped_reduced.jpg" /&#62;
&#60;img width="2548" height="3504" width_o="2548" height_o="3504" data-src="https://freight.cargo.site/t/original/i/b6f80f64fca20580cf9bf03c559d0cf3dbc94dfeb8354e44c019d44d11672998/Multimedia_Illustration_reduced.jpg" data-mid="103303650" border="0"  src="https://freight.cargo.site/w/1000/i/b6f80f64fca20580cf9bf03c559d0cf3dbc94dfeb8354e44c019d44d11672998/Multimedia_Illustration_reduced.jpg" /&#62;Agency Self-Promotion Series/Brochure, 1986, 9”x12” Multi-media1. “Talk, Talk, Talk, Talk”, Rubylith,&#38;nbsp; Litho printed on card-stock Paper
2. “On Target”, Rubylith and Pen &#38;amp; Ink, Litho printed on card-stock Paper3. “Connecting People”, Watercolor On Paper, Litho printed on Paper

4. “Multi-Media”, Line tape, Zipatone &#38;amp; Letratone Screens on Acetate, Litho, printed on Paper


A decade ago, I went back to Detroit for a creative reset. Some of that work is pictured, here.


&#60;img width="2304" height="1847" width_o="2304" height_o="1847" data-src="https://freight.cargo.site/t/original/i/a6b425b366e8a9a69df1417c7070900c988e50a4793949dfba29115ec097c53c/Ambassador-Bridge-Over-a-Noisy-Zug-Island--7-x6---Ink-on-paper.jpg" data-mid="103303639" border="0"  src="https://freight.cargo.site/w/1000/i/a6b425b366e8a9a69df1417c7070900c988e50a4793949dfba29115ec097c53c/Ambassador-Bridge-Over-a-Noisy-Zug-Island--7-x6---Ink-on-paper.jpg" /&#62;
&#60;img width="3067" height="2405" width_o="3067" height_o="2405" data-src="https://freight.cargo.site/t/original/i/fd902d422a081429ec2828a0d06594ddc2668f3102695381fd83308b6c785ddb/The-Fist-Fights-Back-7-x6---Ink-on-paper.jpg" data-mid="103303653" border="0"  src="https://freight.cargo.site/w/1000/i/fd902d422a081429ec2828a0d06594ddc2668f3102695381fd83308b6c785ddb/The-Fist-Fights-Back-7-x6---Ink-on-paper.jpg" /&#62;
&#60;img width="2333" height="1818" width_o="2333" height_o="1818" data-src="https://freight.cargo.site/t/original/i/4996a362d9c806a7db1482e27c1cec9faa955ccf214541d4ed17d16fc776d203/Spirit-of-Detroit-with-Extra-Spirit--7-x6---Ink-on-paper.jpg" data-mid="103303823" border="0"  src="https://freight.cargo.site/w/1000/i/4996a362d9c806a7db1482e27c1cec9faa955ccf214541d4ed17d16fc776d203/Spirit-of-Detroit-with-Extra-Spirit--7-x6---Ink-on-paper.jpg" /&#62;
&#60;img width="1382" height="1111" width_o="1382" height_o="1111" data-src="https://freight.cargo.site/t/original/i/433a1b98d7eeae72248842289801bda7bc11159ef5c8661f5b931fbbe6cc65e3/HartPlazaOFFSET.jpg" data-mid="103790692" border="0"  src="https://freight.cargo.site/w/1000/i/433a1b98d7eeae72248842289801bda7bc11159ef5c8661f5b931fbbe6cc65e3/HartPlazaOFFSET.jpg" /&#62;


Detroit Series, 20141. “Ambassador Bridge”, 6”x6”, Pen &#38;amp; Ink on Rag Paper2. “Joe Louis Fist”, 6”x6”, Pen &#38;amp; Ink on Rag Paper
3. “Spirit Of Detroit”, 6”x6”,&#38;nbsp;Pen &#38;amp; Ink on Rag Paper4. “Hart Plaza Fountain”, 6”x6”, Artist Proof, Two Color Silkscreen on Paper



And, if you’re up for it, a short video about that little adventure in 2014.





&#60;img width="800" height="1280" width_o="800" height_o="1280" data-src="https://freight.cargo.site/t/original/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" data-mid="149253192" border="0" data-scale="52" src="https://freight.cargo.site/w/800/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" /&#62;
Illustration commissions kept me financially afloat 
in LA in the early 1980s. Haha. No, they didn’t. Waiting French Style meals at celebrity-soaked tables at The Beverly Hilton Hotel in Century City, did that.
But it
was fun to work to a deadline on illustartions, and see my stuff published in the Sunday Morning newspaper of a big, sprawling American megatropolis. I would run out and buy several copies, every Sunday morning I was published. 
As I mentioned, the pay was paltry, the timeline was stressful, but the experience was invigorating and I was always excited whenever I got a call from the editorial art director at the now very defunct, Los Angeles Herald Examiner.&#38;nbsp;


&#60;img width="1602" height="2346" width_o="1602" height_o="2346" data-src="https://freight.cargo.site/t/original/i/6439d2d948ee833127359da17de91146b32f3de6c34dc66db6060ab74bcefdc2/MissleMan.jpg" data-mid="103303649" border="0"  src="https://freight.cargo.site/w/1000/i/6439d2d948ee833127359da17de91146b32f3de6c34dc66db6060ab74bcefdc2/MissleMan.jpg" /&#62;
&#60;img width="890" height="1163" width_o="890" height_o="1163" data-src="https://freight.cargo.site/t/original/i/40ba2039882be51fcb6facd7967eef0f2de1be7dfcb363c2c9c1ad42b9b3de4d/ICBM_ManLAHE.jpg" data-mid="104091098" border="0"  src="https://freight.cargo.site/w/890/i/40ba2039882be51fcb6facd7967eef0f2de1be7dfcb363c2c9c1ad42b9b3de4d/ICBM_ManLAHE.jpg" /&#62;
&#60;img width="1918" height="2496" width_o="1918" height_o="2496" data-src="https://freight.cargo.site/t/original/i/76c823d6f35572d1d7c0e610945ddca32ac450b57fe2b76777ba87ef52269cc0/Arafat_Cropped.png" data-mid="233811089" border="0"  src="https://freight.cargo.site/w/1000/i/76c823d6f35572d1d7c0e610945ddca32ac450b57fe2b76777ba87ef52269cc0/Arafat_Cropped.png" /&#62;
&#60;img width="3024" height="3981" width_o="3024" height_o="3981" data-src="https://freight.cargo.site/t/original/i/99ae52cec40217b74c4bc5b968d3d10c0a3732dd8b4ca0da9f69d852c5275523/IllustrationSelf_Promo.jpg" data-mid="105643448" border="0"  src="https://freight.cargo.site/w/1000/i/99ae52cec40217b74c4bc5b968d3d10c0a3732dd8b4ca0da9f69d852c5275523/IllustrationSelf_Promo.jpg" /&#62;
&#60;img width="890" height="1163" width_o="890" height_o="1163" data-src="https://freight.cargo.site/t/original/i/66b0fabfc91784400704b55b472f151f3c536c6cf72211835ff57ea0bf64c5a9/Gromyko-sSleeveLAHE.jpg" data-mid="104091281" border="0"  src="https://freight.cargo.site/w/890/i/66b0fabfc91784400704b55b472f151f3c536c6cf72211835ff57ea0bf64c5a9/Gromyko-sSleeveLAHE.jpg" /&#62;

&#60;img width="921" height="1098" width_o="921" height_o="1098" data-src="https://freight.cargo.site/t/original/i/b2d33cfc69078f894c2af364d57d716fc513d80e481747852f2847151dcda154/EagleLanded.jpg" data-mid="104088498" border="0"  src="https://freight.cargo.site/w/921/i/b2d33cfc69078f894c2af364d57d716fc513d80e481747852f2847151dcda154/EagleLanded.jpg" /&#62;
&#60;img width="890" height="1163" width_o="890" height_o="1163" data-src="https://freight.cargo.site/t/original/i/bd4d018b4616ee4e757fbd0bd5067211eddae98eb184e2a33f8e97697c8726dc/SolidarityCrushed.jpg" data-mid="104089705" border="0"  src="https://freight.cargo.site/w/890/i/bd4d018b4616ee4e757fbd0bd5067211eddae98eb184e2a33f8e97697c8726dc/SolidarityCrushed.jpg" /&#62;
&#60;img width="915" height="1353" width_o="915" height_o="1353" data-src="https://freight.cargo.site/t/original/i/fd128cb425d4d6e7ec717a9cc64db2900647ae2cdbfc1e94faa58d911e57eb04/PencilHeadweb.png" data-mid="104944085" border="0"  src="https://freight.cargo.site/w/915/i/fd128cb425d4d6e7ec717a9cc64db2900647ae2cdbfc1e94faa58d911e57eb04/PencilHeadweb.png" /&#62;
&#60;img width="745" height="1139" width_o="745" height_o="1139" data-src="https://freight.cargo.site/t/original/i/cf0c45cb91445638d3a1561380dbce479e407e9c5e4baa9cae7e5d2760dcc580/1984AirLA.png" data-mid="104097849" border="0"  src="https://freight.cargo.site/w/745/i/cf0c45cb91445638d3a1561380dbce479e407e9c5e4baa9cae7e5d2760dcc580/1984AirLA.png" /&#62;
&#60;img width="848" height="1139" width_o="848" height_o="1139" data-src="https://freight.cargo.site/t/original/i/66ce59f26faae3a9f4bf299c7e59a24287b846d9feff5f92ec0898917df512f1/PoisonPills.jpg" data-mid="104097862" border="0"  src="https://freight.cargo.site/w/848/i/66ce59f26faae3a9f4bf299c7e59a24287b846d9feff5f92ec0898917df512f1/PoisonPills.jpg" /&#62;


(top left to right)
“ICBM Man”, 1983, 9”x 13” Pen &#38;amp; Ink on Paper“ICBM Man”, 1983, 9”x 13” Published, Los Angeles Herald Examiner
“Yassar Is Being Silenced”, 1984, 9”x12”&#38;nbsp;Published, Los Angeles Herald ExaminerGot an agent, and made a promo with an advertising idea (I like ideas), 1986


“Gromyko’s Sleeves”, 1984, 14” x 22” Pen &#38;amp; Ink on Paper, Published, Los Angeles Herald Examiner“The American Way”, 1985, 12”x 16” Pencil on Paper (unpublished)

“Crushing Solidarity”, 1984, 9” x 12” Pen &#38;amp; Ink on Paper&#38;nbsp;(unpublished)“Pencil Head”, 1985, 10”x 12” Pen &#38;amp; Ink on Paper (personal logo)“L.A. AIR”, 1984, 6” x 9” Pen &#38;amp; Ink on paper
(unpublished)
“Poison Pills”, 1985, 19” x 12” Pen &#38;amp; ink on Paper&#38;nbsp;(unpublished)
&#60;img width="800" height="1280" width_o="800" height_o="1280" data-src="https://freight.cargo.site/t/original/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" data-mid="149253192" border="0" data-scale="52" src="https://freight.cargo.site/w/800/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" /&#62;

I had this idea for years, looking for a fresh way
to blend my advertising career with art. I experimented before with other
mashups, but this first big one was the most ambitious piece I had ever
attempted.&#38;nbsp;



&#60;img width="1271" height="545" width_o="1271" height_o="545" data-src="https://freight.cargo.site/t/original/i/637ec0d1a0bfa286e5ee03ef991c254ffb7059ad68512c12a48be313d1e4826f/iPod_ORIGINAL_board.jpg" data-mid="104098764" border="0"  src="https://freight.cargo.site/w/1000/i/637ec0d1a0bfa286e5ee03ef991c254ffb7059ad68512c12a48be313d1e4826f/iPod_ORIGINAL_board.jpg" /&#62;

I secured a recently dismantled and disassemble Apple iPod launch vinyl billboard (above), and cut it up into eight 6’ x 6’ squares, then stretched them.

&#60;img width="2000" height="1967" width_o="2000" height_o="1967" data-src="https://freight.cargo.site/t/original/i/6566ef736a73b6e9dc5450402d82d26347e7fcba55a88b547107a9b2d721cad8/GarySTUDIO_iPod3.jpg" data-mid="104100147" border="0"  src="https://freight.cargo.site/w/1000/i/6566ef736a73b6e9dc5450402d82d26347e7fcba55a88b547107a9b2d721cad8/GarySTUDIO_iPod3.jpg" /&#62;
&#60;img width="441" height="833" width_o="441" height_o="833" data-src="https://freight.cargo.site/t/original/i/1b8e87bf8cf17e3f41972484b8cd8cd1123dcd0630f350fea79f2ce82678753d/GaryPaintingiPod.png" data-mid="104138856" border="0"  src="https://freight.cargo.site/w/441/i/1b8e87bf8cf17e3f41972484b8cd8cd1123dcd0630f350fea79f2ce82678753d/GaryPaintingiPod.png" /&#62;
&#60;img width="2000" height="1967" width_o="2000" height_o="1967" data-src="https://freight.cargo.site/t/original/i/77893fb5c3abfe535b877010dd1e9bc7a11e2c58a32315174e0604960cd2cdbc/GarySTUDIO_iPod6.png" data-mid="104100725" border="0"  src="https://freight.cargo.site/w/1000/i/77893fb5c3abfe535b877010dd1e9bc7a11e2c58a32315174e0604960cd2cdbc/GarySTUDIO_iPod6.png" /&#62;
&#60;img width="2000" height="1967" width_o="2000" height_o="1967" data-src="https://freight.cargo.site/t/original/i/ce4ec1230b6b44c1235d2766015e675a36a67e6f8c686117a744e962a7213c5c/GarySTUDIO_iPod5.jpg" data-mid="104100149" border="0"  src="https://freight.cargo.site/w/1000/i/ce4ec1230b6b44c1235d2766015e675a36a67e6f8c686117a744e962a7213c5c/GarySTUDIO_iPod5.jpg" /&#62;

&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/59711ed75a8f40dc577a7c5090fbe80f5a436c8b8a2c9c38e66809e705ea0636/GarySTUDIO_iPod1.jpg" data-mid="104099672" border="0"  src="https://freight.cargo.site/w/1000/i/59711ed75a8f40dc577a7c5090fbe80f5a436c8b8a2c9c38e66809e705ea0636/GarySTUDIO_iPod1.jpg" /&#62;
&#60;img width="2000" height="1967" width_o="2000" height_o="1967" data-src="https://freight.cargo.site/t/original/i/4194031f7443dadc11aad85f993c325fe4e55ceb597f1f3b1df20448b0902bb5/GarySTUDIO_iPod2-copy.jpg" data-mid="104100146" border="0"  src="https://freight.cargo.site/w/1000/i/4194031f7443dadc11aad85f993c325fe4e55ceb597f1f3b1df20448b0902bb5/GarySTUDIO_iPod2-copy.jpg" /&#62;
&#60;img width="2000" height="1967" width_o="2000" height_o="1967" data-src="https://freight.cargo.site/t/original/i/d668ed9af4596e487f23f400cc53c908e224819f8b1b502a08451b2e01f45bf2/GarySTUDIO_iPod1.png" data-mid="104100145" border="0"  src="https://freight.cargo.site/w/1000/i/d668ed9af4596e487f23f400cc53c908e224819f8b1b502a08451b2e01f45bf2/GarySTUDIO_iPod1.png" /&#62;
&#60;img width="1619" height="1465" width_o="1619" height_o="1465" data-src="https://freight.cargo.site/t/original/i/0113bd1ad1355c9b61d65f69d9d4f90adb9b99aa340eeeeffa127f6b614d06c7/SquareTemplate2000x2000px.png" data-mid="104139569" border="0"  src="https://freight.cargo.site/w/1000/i/0113bd1ad1355c9b61d65f69d9d4f90adb9b99aa340eeeeffa127f6b614d06c7/SquareTemplate2000x2000px.png" /&#62;




Then, I spray-painted them.



&#60;img width="1854" height="1884" width_o="1854" height_o="1884" data-src="https://freight.cargo.site/t/original/i/1d3c2eefeeed256bb78f92adb6d127b99e2bc9341b51f7a33f8b9f0f1c7fc0ef/SelfPortrait72x72.jpg" data-mid="103305220" border="0"  src="https://freight.cargo.site/w/1000/i/1d3c2eefeeed256bb78f92adb6d127b99e2bc9341b51f7a33f8b9f0f1c7fc0ef/SelfPortrait72x72.jpg" /&#62;
&#60;img width="1932" height="1930" width_o="1932" height_o="1930" data-src="https://freight.cargo.site/t/original/i/8e1f977a2e12b0d998eddc9c7005941abad097e83189d2355a2d7900d7f29db3/TEST.png" data-mid="103304420" border="0"  src="https://freight.cargo.site/w/1000/i/8e1f977a2e12b0d998eddc9c7005941abad097e83189d2355a2d7900d7f29db3/TEST.png" /&#62;
&#60;img width="1851" height="1863" width_o="1851" height_o="1863" data-src="https://freight.cargo.site/t/original/i/77c3f3a7c8a9ff9d85a02fdb4bdf91460d9339111118abf2c33585b7f5e8c6f7/HandThatFeeds72x72.jpg" data-mid="103304974" border="0"  src="https://freight.cargo.site/w/1000/i/77c3f3a7c8a9ff9d85a02fdb4bdf91460d9339111118abf2c33585b7f5e8c6f7/HandThatFeeds72x72.jpg" /&#62;
&#60;img width="1929" height="1911" width_o="1929" height_o="1911" data-src="https://freight.cargo.site/t/original/i/0cfa5062da0508d881f622880f08cf0d14bd9bcfbe78e6abdc10feaa9c4aebac/LysergicSunset.jpg" data-mid="103304975" border="0"  src="https://freight.cargo.site/w/1000/i/0cfa5062da0508d881f622880f08cf0d14bd9bcfbe78e6abdc10feaa9c4aebac/LysergicSunset.jpg" /&#62;

iPod Series, 2007 (L to R)1.&#38;nbsp; &#38;nbsp;“Self Portrait”&#38;nbsp;72”x72” Aerosol on Printed Outdoor Vinyl2. “Flower Stigma”&#38;nbsp;72”x72” Aerosol on Printed Outdoor Vinyl3. “The Hand That Feeds”&#38;nbsp;72”x72” Aerosol on Printed Outdoor Vinyl
4. “Reclining Nude #2”, 72”x72” Aerosol on Printed Outdoor Vinyl

&#60;img width="1863" height="1880" width_o="1863" height_o="1880" data-src="https://freight.cargo.site/t/original/i/d8247f5315083c43e9811df9f2c2b51053a7ac38cd0396573fb6f624a994aa75/RecliningNudeNo.3.jpg" data-mid="103304978" border="0"  src="https://freight.cargo.site/w/1000/i/d8247f5315083c43e9811df9f2c2b51053a7ac38cd0396573fb6f624a994aa75/RecliningNudeNo.3.jpg" /&#62;
&#60;img width="1887" height="1890" width_o="1887" height_o="1890" data-src="https://freight.cargo.site/t/original/i/d24f15e98f1ac2d17778220458fea18605c90a6ba985956e12549a18dc4befa5/ConcentricSquareRoute.jpg" data-mid="103305122" border="0"  src="https://freight.cargo.site/w/1000/i/d24f15e98f1ac2d17778220458fea18605c90a6ba985956e12549a18dc4befa5/ConcentricSquareRoute.jpg" /&#62;
&#60;img width="1872" height="1940" width_o="1872" height_o="1940" data-src="https://freight.cargo.site/t/original/i/34a779bebe812fc55c5fb8ad00235b894da90975de2088397f1542b91d8acd9e/SandozStillLife.jpg" data-mid="103304979" border="0"  src="https://freight.cargo.site/w/1000/i/34a779bebe812fc55c5fb8ad00235b894da90975de2088397f1542b91d8acd9e/SandozStillLife.jpg" /&#62;
&#60;img width="1885" height="1885" width_o="1885" height_o="1885" data-src="https://freight.cargo.site/t/original/i/cbf54df3e59b2306a751878ba074e608fcdd42febace59d5470e8fb8a126e007/CarlosC_Reloaded.jpg" data-mid="103305121" border="0"  src="https://freight.cargo.site/w/1000/i/cbf54df3e59b2306a751878ba074e608fcdd42febace59d5470e8fb8a126e007/CarlosC_Reloaded.jpg" /&#62;

iPod Series, 2007 (L to R)
5. “Sandoz Still-life”,&#38;nbsp;72”x72” Aerosol on Printed Outdoor Vinyl6. “Concentric Square Route”,&#38;nbsp;72”x72” Aerosol on Printed Outdoor Vinyl
7. “Lysergic Sunset”,&#38;nbsp;72”x72” Aerosol on Printed Outdoor Vinyl8. “Carlos C. Reloaded”,&#38;nbsp;72”x72” Aerosol on Printed Outdoor Vinyl

&#60;img width="3648" height="2736" width_o="3648" height_o="2736" data-src="https://freight.cargo.site/t/original/i/02a34dad0a5e2f2cb375187789a9b08ecf10e22dfd39e9ca8f9796b6859d931c/SELF_PORTRAIT.jpg" data-mid="104944136" border="0"  src="https://freight.cargo.site/w/1000/i/02a34dad0a5e2f2cb375187789a9b08ecf10e22dfd39e9ca8f9796b6859d931c/SELF_PORTRAIT.jpg" /&#62;
&#60;img width="3604" height="2703" width_o="3604" height_o="2703" data-src="https://freight.cargo.site/t/original/i/01e706899f76b383e0fdc23f8134680439aec822eb9ad8356f6ec76d0e9fb2f9/IMG_1636.JPG" data-mid="104944079" border="0"  src="https://freight.cargo.site/w/1000/i/01e706899f76b383e0fdc23f8134680439aec822eb9ad8356f6ec76d0e9fb2f9/IMG_1636.JPG" /&#62;
&#60;img width="3648" height="2736" width_o="3648" height_o="2736" data-src="https://freight.cargo.site/t/original/i/a5d0cec2a027fdbec12d309b4d408b343a5d555fdd0a4f03880621251829e50a/CARLOS_C_RELOADED.jpg" data-mid="104944118" border="0"  src="https://freight.cargo.site/w/1000/i/a5d0cec2a027fdbec12d309b4d408b343a5d555fdd0a4f03880621251829e50a/CARLOS_C_RELOADED.jpg" /&#62;


&#60;img width="800" height="1280" width_o="800" height_o="1280" data-src="https://freight.cargo.site/t/original/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" data-mid="149253192" border="0" data-scale="53" src="https://freight.cargo.site/w/800/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" /&#62;
&#60;img width="800" height="1280" width_o="800" height_o="1280" data-src="https://freight.cargo.site/t/original/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" data-mid="149253192" border="0"  src="https://freight.cargo.site/w/800/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" /&#62;
&#60;img width="800" height="1280" width_o="800" height_o="1280" data-src="https://freight.cargo.site/t/original/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" data-mid="149253192" border="0"  src="https://freight.cargo.site/w/800/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" /&#62;

I did sketches for a gallery show in Beijing at the end of
2016, a series of fictional Chinese sea monsters.&#38;nbsp;




&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/b8cc2a860bf2e79cc3c89c20e3624e7b64a0556f292d4bb182742c15fe2cf332/120416_G-Kreatures_sketch2.JPG" data-mid="103558833" border="0"  src="https://freight.cargo.site/w/1000/i/b8cc2a860bf2e79cc3c89c20e3624e7b64a0556f292d4bb182742c15fe2cf332/120416_G-Kreatures_sketch2.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/63dda4736535a58143b09721e451937eaf0dc7860ca381a7500034212126710e/120416_G-Kreatures_sketch3.JPG" data-mid="103558834" border="0"  src="https://freight.cargo.site/w/1000/i/63dda4736535a58143b09721e451937eaf0dc7860ca381a7500034212126710e/120416_G-Kreatures_sketch3.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/75b39c197e02bdb6e6f773ecab32e135158ab4d2a8289acb16fe476a5e556aa3/120416_G-Kreatures_sketch1.JPG" data-mid="103558831" border="0"  src="https://freight.cargo.site/w/1000/i/75b39c197e02bdb6e6f773ecab32e135158ab4d2a8289acb16fe476a5e556aa3/120416_G-Kreatures_sketch1.JPG" /&#62;

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/fc4838e3392dfa48b49cb1ea8d0140d24ed69f3f619fd941525b0b4a184726a2/120416_G-Kreatures_sketch4.JPG.JPG" data-mid="103558835" border="0"  src="https://freight.cargo.site/w/1000/i/fc4838e3392dfa48b49cb1ea8d0140d24ed69f3f619fd941525b0b4a184726a2/120416_G-Kreatures_sketch4.JPG.JPG" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a276fbb404eb3804c2b62c484c68662678ab40d19b9705f260c5892d7b9b5162/120416_G-Kreatures_sketch5.JPG" data-mid="103558836" border="0"  src="https://freight.cargo.site/w/1000/i/a276fbb404eb3804c2b62c484c68662678ab40d19b9705f260c5892d7b9b5162/120416_G-Kreatures_sketch5.JPG" /&#62;
Gea-Creatures, 20161. “Frilled Shar-G”, 8” x 10”, Sharpie on Parchment Paper
2. Salma-Ger, 8”x 10” Sharpie on Parchment Paper3. G-elly Fish, 8”x 10” Sharpie on Parchment Paper

4. OG-tapus, 8”x 10” Sharpie on Parchment Paper 5. G-Horse, 8”x10” Sharpie on Parchment Paper
Then I painted them, and now I am printing them. Large, Signed, Limited Edition, authenticated, available soon, here.

&#60;img width="4384" height="5457" width_o="4384" height_o="5457" data-src="https://freight.cargo.site/t/original/i/3a96e323e311fbb2e7a58614f7b4e6a3f18a55bd40197c7b5b2cd7856eb4ea9e/AquaticYellowMaleSeahorse---Reduced_Satch.png" data-mid="225742603" border="0"  src="https://freight.cargo.site/w/1000/i/3a96e323e311fbb2e7a58614f7b4e6a3f18a55bd40197c7b5b2cd7856eb4ea9e/AquaticYellowMaleSeahorse---Reduced_Satch.png" /&#62;
&#60;img width="4384" height="5457" width_o="4384" height_o="5457" data-src="https://freight.cargo.site/t/original/i/60af15361a7d3c427aa66bb5c1f1091b206552505139b1ec5a738d79354ff98a/AquaticPinkMale---Reduced_Satch.png" data-mid="225742600" border="0"  src="https://freight.cargo.site/w/1000/i/60af15361a7d3c427aa66bb5c1f1091b206552505139b1ec5a738d79354ff98a/AquaticPinkMale---Reduced_Satch.png" /&#62;
&#60;img width="4384" height="5457" width_o="4384" height_o="5457" data-src="https://freight.cargo.site/t/original/i/a295ec4cb4790ff669b528eb956b461424b13a9ba2e1c161ba40691ce5678f7b/AquaticRedFemale-Satch_Reduced.png" data-mid="225742601" border="0"  src="https://freight.cargo.site/w/1000/i/a295ec4cb4790ff669b528eb956b461424b13a9ba2e1c161ba40691ce5678f7b/AquaticRedFemale-Satch_Reduced.png" /&#62;
&#60;img width="4384" height="5457" width_o="4384" height_o="5457" data-src="https://freight.cargo.site/t/original/i/04a8465d9c6aa9b6e3d1746b3b4642e5dfe7f31e69dc554f6b425b434eda7733/AquaticRedMaleSalamander---Reduced_Satch.png" data-mid="225742602" border="0"  src="https://freight.cargo.site/w/1000/i/04a8465d9c6aa9b6e3d1746b3b4642e5dfe7f31e69dc554f6b425b434eda7733/AquaticRedMaleSalamander---Reduced_Satch.png" /&#62;


&#60;img width="800" height="1280" width_o="800" height_o="1280" data-src="https://freight.cargo.site/t/original/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" data-mid="149253192" border="0"  src="https://freight.cargo.site/w/800/i/ed595bc70a749caf253c191231c9b27df6df83b3799d260bcad5acae6afebc62/MoreArtHereREV1.png" /&#62;



&#60;img width="3087" height="2058" width_o="3087" height_o="2058" data-src="https://freight.cargo.site/t/original/i/7b2beb00b2d9887a7483a24130466d9607c9a51ca3d65c8f51abc02a8c741fec/GoingHolmeForGaryHolmePhotographerAtHeart-00379.jpg" data-mid="105187631" border="0"  src="https://freight.cargo.site/w/1000/i/7b2beb00b2d9887a7483a24130466d9607c9a51ca3d65c8f51abc02a8c741fec/GoingHolmeForGaryHolmePhotographerAtHeart-00379.jpg" /&#62;
&#60;img width="5653" height="3769" width_o="5653" height_o="3769" data-src="https://freight.cargo.site/t/original/i/2a1f1cc2fcbe9aadad7c73bd90275eaf33ed653f2e0e2fc18cb432cf21f63b75/GoingHolmeForGaryHolmePhotographerAtHeart-00378.jpg" data-mid="105187630" border="0"  src="https://freight.cargo.site/w/1000/i/2a1f1cc2fcbe9aadad7c73bd90275eaf33ed653f2e0e2fc18cb432cf21f63b75/GoingHolmeForGaryHolmePhotographerAtHeart-00378.jpg" /&#62;
&#60;img width="5822" height="2982" width_o="5822" height_o="2982" data-src="https://freight.cargo.site/t/original/i/1d38fd64988050ae95224195a57f24ad2be4bca72cb18c639bff694a65554388/GAry_RV_Painting.jpg" data-mid="105187604" border="0"  src="https://freight.cargo.site/w/1000/i/1d38fd64988050ae95224195a57f24ad2be4bca72cb18c639bff694a65554388/GAry_RV_Painting.jpg" /&#62;
&#60;img width="1000" height="1498" width_o="1000" height_o="1498" data-src="https://freight.cargo.site/t/original/i/69f2ea9dfbd1797d64aeaceab55fa01af8a9253faa22b064c46e16d7ae1b6d54/GoingHolmePainting0980.jpg" data-mid="105187618" border="0"  src="https://freight.cargo.site/w/1000/i/69f2ea9dfbd1797d64aeaceab55fa01af8a9253faa22b064c46e16d7ae1b6d54/GoingHolmePainting0980.jpg" /&#62;

A short time-lapse film of me painting an oil landscape canvas, en plein air (outside), in Santa Monica, California, May 2015. I was trained in the American Impressionist style of painting. I’ve returned to this, my first love ~&#38;nbsp; oil painting. This was a sketch done in just over an hour. 
︎ Shiree, PhotographerAtHeart.
&#38;nbsp;

</description>
		
	</item>
		
		
	<item>
		<title>Howl</title>
				
		<link>https://garyholme.com/Howl</link>

		<pubDate>Mon, 12 Apr 2021 18:32:45 +0000</pubDate>

		<dc:creator>Gary Holme</dc:creator>

		<guid isPermaLink="true">https://garyholme.com/Howl</guid>

		<description>I've drawn cartoons at different points in my life, but the freshest ones often came out of stressful and unusual times. 
Staying mostly home for over three years during the pandemic with my business partner &#38;amp; girlfriend was very rewarding for us, and it became a pretty prolific cartoon period. We started a cartoon series then, that we continue today.
“You have to be brave and disciplined enough to push through the challenges and consistently scribble sh*t down.”~ Marleah Stout&#38;nbsp;

She writes, jabs, entertains, and muses and I furiously draw and try to keep up. We call our cartoon HOWL. We hope you’ll find it to be a howl for you as well.


&#60;img width="4003" height="5458" width_o="4003" height_o="5458" data-src="https://freight.cargo.site/t/original/i/4b8fd1d33534c3740db233ae68134d54261c5273d74661d37599a3b5ee4c75c9/Cartoon_-Template_-18x24July-19--2022-19.05.jpg" data-mid="148388894" border="0"  src="https://freight.cargo.site/w/1000/i/4b8fd1d33534c3740db233ae68134d54261c5273d74661d37599a3b5ee4c75c9/Cartoon_-Template_-18x24July-19--2022-19.05.jpg" /&#62;
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</description>
		
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	<item>
		<title>VO REEL</title>
				
		<link>https://garyholme.com/VO-REEL</link>

		<pubDate>Fri, 14 Feb 2025 02:29:49 +0000</pubDate>

		<dc:creator>Gary Holme</dc:creator>

		<guid isPermaLink="true">https://garyholme.com/VO-REEL</guid>

		<description>I do voice-overs, partly because I’ve overcome a speech impediment ~ I have a slight lisp. I also do them because I had a flashback recently to my first ever voice-over session as a green creative director in 1985. 
The creative group from the agency were at the old Bert, Barz &#38;amp; Kirby studios in Hollywood on Highland right under the 101 Freeway doing  audio for a Disney TV commercial. The voice-over talent was a bigger than life seasoned pro, Hal Douglas.I was struck by several things. A. Hal was very happy and gregarious. B. Hal worked for less than ninety minutes. C. Hal was paid a lot of money. D. Hal was driven to the studio in a Rolls Royce Silver Cloud with a properly-attired personal driver. Damn I thought, I kinda want to do that.
I sometimes wonder what would have happened if I had gotten a voice over reel together, and quit advertising. Come to think of it, some of the people I worked with at the time might have liked that. Ha. But, I liked art and advertsing more, so I stayed put.&#38;nbsp;
All to say, I finally put that reel together, below, over the last dozen years. Took me long enough. Hope you like it.&#38;nbsp;

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/928349a237cdb13f2d0b790b359799b2ef4858fc1d3b20e758a314d03fa4b5d3/rod-flores-S_3uPi5IWIE-unsplash.jpg" data-mid="226606646" border="0"  src="https://freight.cargo.site/w/1000/i/928349a237cdb13f2d0b790b359799b2ef4858fc1d3b20e758a314d03fa4b5d3/rod-flores-S_3uPi5IWIE-unsplash.jpg" /&#62;
(Photo︎ by Rod Flores on Unsplash)

︎Click on one of the three play buttons above,︎ to hear some short samples of my VO work︎&#38;nbsp;︎Some short videos with my voice, below ︎Thanks for listening&#38;nbsp;︎








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		<title>About Me</title>
				
		<link>https://garyholme.com/About-Me</link>

		<pubDate>Thu, 18 Mar 2021 00:55:02 +0000</pubDate>

		<dc:creator>Gary Holme</dc:creator>

		<guid isPermaLink="true">https://garyholme.com/About-Me</guid>

		<description>︎ artist ︎ painter ︎ adman ︎ director &#38;nbsp;︎ writer&#38;nbsp; ︎  bon vivant&#38;nbsp; ︎ enfant terrible ︎ designer ︎ provocateur &#38;nbsp;︎&#38;nbsp; creative director ︎ artist ︎ painter ︎ adman ︎ director&#38;nbsp; ︎&#38;nbsp; writer&#38;nbsp; ︎&#38;nbsp; bon vivant&#38;nbsp; ︎ actor&#38;nbsp;︎ voice over&#38;nbsp;︎ producer &#38;nbsp;︎&#38;nbsp; creator 


	&#60;img width="2316" height="3088" width_o="2316" height_o="3088" data-src="https://freight.cargo.site/t/original/i/ea4b6a8661e3e7355f68b406ac606b227e44a17550b334963cd4a6b91c3471bb/GaryArtist.JPG" data-mid="236399301" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/ea4b6a8661e3e7355f68b406ac606b227e44a17550b334963cd4a6b91c3471bb/GaryArtist.JPG" /&#62;&#60;img width="526" height="701" width_o="526" height_o="701" data-src="https://freight.cargo.site/t/original/i/0610fd8917845e3d22b098e8327c72a0afffcdc7ffa8504c65041f7dc66a9926/GaryPatio.jpg" data-mid="236399306" border="0" data-scale="53" src="https://freight.cargo.site/w/526/i/0610fd8917845e3d22b098e8327c72a0afffcdc7ffa8504c65041f7dc66a9926/GaryPatio.jpg" /&#62;&#60;img width="3712" height="5568" width_o="3712" height_o="5568" data-src="https://freight.cargo.site/t/original/i/20b979362fb125974effeb7b29e2dc3738959671a3d4d60bffd4ac7111535a22/GaryTheOffice.JPG" data-mid="236399300" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/20b979362fb125974effeb7b29e2dc3738959671a3d4d60bffd4ac7111535a22/GaryTheOffice.JPG" /&#62;
&#60;img width="600" height="899" width_o="600" height_o="899" data-src="https://freight.cargo.site/t/original/i/6a68e2d266080a743ba14df9c4f8b1ad2fdbc5ff6413ed6c34290a116253ac06/GoingHolmePainting0980.jpg" data-mid="236401110" border="0"  src="https://freight.cargo.site/w/600/i/6a68e2d266080a743ba14df9c4f8b1ad2fdbc5ff6413ed6c34290a116253ac06/GoingHolmePainting0980.jpg" /&#62;

&#60;img width="1878" height="1866" width_o="1878" height_o="1866" data-src="https://freight.cargo.site/t/original/i/3b99bc36ac330d43133b9073620e79477019d33f3795cc639cd72a612ec885d4/Screenshot-2024-03-07-at-11.59.56AM.png" data-mid="206258894" border="0"  src="https://freight.cargo.site/w/1000/i/3b99bc36ac330d43133b9073620e79477019d33f3795cc639cd72a612ec885d4/Screenshot-2024-03-07-at-11.59.56AM.png" /&#62;
Gary Holme grew up in Detroit, where he learned to draw, paint, love and create. 
He moved to Los Angeles in 1980 and started his career in Advertisng &#38;amp; Design in 1983, while continuing to create art, make drawings, illustrations, paintings, posters, and other personal and commercial art projects. 
From dozens of political drawings for the now defunct Los Angeles Herald Examiner in the mid 1980’s, to designing magazines, posters and ads in Toronto, Holme sees everything in his career as one big, ongoing, continuous creative art blank slate, waiting to be filled with his unique vision of the world.
 In advertising, he has been creative director, for some of the world's best ad agencies, including Chiat/Day, SapientNitro, FCB, Publicis, Y&#38;amp;R and J. Walter Thompson, as well as smaller boutiques like Wolf Toronto, and Sensis Los Angeles.

As an accomplished artist and published illustrator, Holme has spent his career weaving creativity with commercial success on numerous award-winning brands and projects, while also continuing to create art with no commercial or advertising purpose, including being in many art exhibits and shows.

Gary Holme was&#38;nbsp;Director of Art &#38;amp; Content&#38;nbsp;at Mass Minority Toronto, and BAM®Analytix, for the last eight years.

Gary Holme has been called many things ~ artist, director, cartoonist, illustrator, writer and provocateur.

But the one thing he’s never been called, is dull.&#38;nbsp;

	NowCreative Director and Fractional Director at Polygorgeous®, and Artist at Gary Holme’s Fine Lookin’ Art Gallery, Toronto

March 2017-July 2025
Director of Art + Content, Director, Mass Minority, &#38;amp; BAM Analytix, Toronto &#38;amp; Austin, TX


May 2015-October 2016 
SVP, Creative Director, McCannDetroit, Detroit, MI

September 2014-May 2015 Freelance Creative Director, Various Agencies including Sensis, Los Angeles, California

May 2014-September 2014 Creative Director, Art Director, Artist, Storyteller, Narrator, Executive Producer, and RV Driver on “Going Holme”, a documentary film

April 2012-March 2014 Partner, Executive Creative Director and Chief Creative Officer, Dorsey &#124; Holme Experience, Toronto&#38;nbsp;

September 2011-February 2012 Freelance Art Director, Creative Director, Various Agencies, Toronto

September 2010-July 2011 
Co-Executive Creative Director, SapientNitro, Toronto

September 2005-July 2010&#38;nbsp;
Group Creative Director, Publicis Canada, Toronto

May 2002-August 2005 Creative Director, Young &#38;amp; Rubicam, Toronto

January 2000-April 2002 Executive Creative Director, Wolf Group, Toronto

March 1998-January 2000 Creative Director, Harrod&#38;amp;Mirlin/FCB Canada

March 1994-February 1998 Associate Creative Director, TBWA Chiat/Day, Toronto

September 1990-February 1994 Art Director, JWT Canada, Toronto

September 1983- June 1990 Art Director then Creative Director, JWT Recruitment, Los AngelesAnd before all of that, I did tons of jobs, was even a member of The Seafarer’s International Union for two years and worked as a waiter at the Beverly Hilton Hotel in LA.&#38;nbsp;But what has sustained me and inspired me my whole life, no matter where I worked, is the art.&#38;nbsp;


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	<item>
		<title>Edward Jones 'Money Is A Thing'</title>
				
		<link>https://garyholme.com/Edward-Jones-Money-Is-A-Thing</link>

		<pubDate>Thu, 07 Sep 2023 19:02:03 +0000</pubDate>

		<dc:creator>Gary Holme</dc:creator>

		<guid isPermaLink="true">https://garyholme.com/Edward-Jones-Money-Is-A-Thing</guid>

		<description>This one came together across a lot of places.


Different people. All sharp.


We built it piece by piece. A collage. The good kind.


Some of the names are below.


Because it takes a few people to say something worth hearing.


Money matters. Just not more than everything else.

Below: One-:60 second video, three :15 second versions, and one :30 TV ad.















Client: Edward Jones Canada
Product: Financial Services

Agency: Mass Minority
CCO: Brett Channer
Director of Art: Gary Holme
ECD: Geoff Lee
Artistic Director and Illustrator: Mark Murphy

Creative Director(s): Brett Channer, Gary Holme
Writers: Brett Channer, Paul Little&#38;nbsp;Art Director(s): Gary Holme, Tyler SerrDesigner/After Effects Artist: Sameen Ahmed
Integrated Producer: Jennifer Grandoni
Account Manager: Jessica LevettManaging Director: Christine McArthurStrategy/Planning: Esmé Rottschafer Media Planning: Julie Myers, Jerry Teo 

Production Company: Mass Minority Studio
Director(s): Gary Holme, Brett Channer
VFX Director/Artist/Supervisor: Naveen Srivastava
VFX Executive Producer: Kayla Baxter&#38;nbsp;
Cameraman: Blair Locke
1st AD: Tony Shultz
Post-Production, Editing, Animation, Colour, VFX: TheVanity

Audio: Vapor Music
Audio Producer: Ted Rosnick
Audio Executive Producer: Kailee Nowosad&#38;nbsp;Engineer: Ryan Chalmers

VO: Yeah, that’s me.

</description>
		
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		<title>Flowers</title>
				
		<link>https://garyholme.com/Flowers</link>

		<pubDate>Thu, 29 Feb 2024 20:19:17 +0000</pubDate>

		<dc:creator>Gary Holme</dc:creator>

		<guid isPermaLink="true">https://garyholme.com/Flowers</guid>

		<description>



We borrowed a little from Joe Sedelmaier on this one. If you know, you know. If you don’t, you should. Look it up.

We shot this in Austin, Texas, where the client actually lives. That always helps.

Casting made me nervous. It always does. Most things on a shoot do, if you’re paying attention.

Then we found them—two insurance nerds who were also just really good actors. Which is what you hope for.

We shot this and another spot in a day. One day.

Sometimes it comes together like that. Because, ya know today, it has to.

Client: Daniel Stark, Personal Injury LawyersAgency: Mass Minority/BAM®AnalytixCCO: Brett ChannerDirector of Art + Content: Gary HolmeCreative Director(s): Brett Channer, Gary HolmeWriters: Brett Channer Art Director: Gary HolmeIntegrated Producer: Jennifer GrandoniManaging Director: Christine McArthur Production Company: Mass Minority StudioDirector(s): Gary Holme, Brett ChannerProduction Company: Crisp Productions, College Park, Texas/Atlanta GeorgiaPost-Production, The Editorial Factory, TorontoEditor/Audio: Andy AmesColor: Gary ChuntzVoice Over: Yeah, that’s me. Again.







</description>
		
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		<title>Money Expressions</title>
				
		<link>https://garyholme.com/Money-Expressions</link>

		<pubDate>Thu, 15 Dec 2022 02:18:49 +0000</pubDate>

		<dc:creator>Gary Holme</dc:creator>

		<guid isPermaLink="true">https://garyholme.com/Money-Expressions</guid>

		<description>

 







Money. It makes you think about it. Worry about it. Sometimes a little more than you’d like.

We were trying to make our money work too, so we kept it simple—small pieces, built from a lot of stills, interesting people, and just enough type to say something.

Short. Direct. Consumable. Just enough human.
Client: Edward JonesBrand: Financial AdvisorsAgency: Mass MinorityCCO: Brett ChannerDirector of Art &#38;amp; Content: Gary HolmeCreative Director(s): Gary Holme, Tom Goudie, Brett ChannerWriter: Tom GoudieArt Director: Gary HolmeManaging Director: Christine McArthurProducer(s): Jennifer Grandoni, Gary HolmeProduction Company: Mass Minority Productions Director: Gary HolmePhotographer: Blair LockeEditorial/Graphics/SFX/Online/Colour: Mitch @ The Editorial FactoryAudio: Mitch Reed, Gary Holme, and stock music




</description>
		
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		<title>Restcycle</title>
				
		<link>https://garyholme.com/Restcycle</link>

		<pubDate>Thu, 07 Jul 2022 02:48:51 +0000</pubDate>

		<dc:creator>Gary Holme</dc:creator>

		<guid isPermaLink="true">https://garyholme.com/Restcycle</guid>

		<description>Yo, don’t know what I was smoking when I made this stuff, but it must have been good sh*t. Hired a couple of great illustrators and animators, and off we went: the trippy, urban launch of our client’s unbranded sleep &#38;amp; health website, RESTCYCLE. Boom.
There was fun to be had, despite the modest budget, but we had the main ingredient - a great client. Got kind of a beat-nik poetry vibe in the VO talent. Not me on the mic this time.&#38;nbsp;
&#60;img width="739" height="415" width_o="739" height_o="415" data-src="https://freight.cargo.site/t/original/i/070f3d58d15d026e834f6502da8c60530b57268893e1cc6a209cb41a3d5bd86a/Beautyrest-_Cool-Mattress_-high.gif" data-mid="164669736" border="0"  src="https://freight.cargo.site/w/739/i/070f3d58d15d026e834f6502da8c60530b57268893e1cc6a209cb41a3d5bd86a/Beautyrest-_Cool-Mattress_-high.gif" /&#62;
&#60;img width="1280" height="1506" width_o="1280" height_o="1506" data-src="https://freight.cargo.site/t/original/i/ffffab75a209b9507df9bcf666e7629795e80bf83dfd2733c24d25fd9dc44d48/Restcycle-web-page.png" data-mid="148217432" border="0"  src="https://freight.cargo.site/w/1000/i/ffffab75a209b9507df9bcf666e7629795e80bf83dfd2733c24d25fd9dc44d48/Restcycle-web-page.png" /&#62;










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&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/12e6c258748d803031acf3df41aff19b80e4325cd922f668d90a0a2e61e6f8c4/eyes.gif" data-mid="148026659" border="0"  src="https://freight.cargo.site/w/600/i/12e6c258748d803031acf3df41aff19b80e4325cd922f668d90a0a2e61e6f8c4/eyes.gif" /&#62;
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Client: Serta Simmons Canada
Product: RestCycle
Client:&#38;nbsp;Laurie Dubrovac&#38;nbsp;
Agency: Mass Minority
CCO: Brett Channer
Director of Art &#38;amp; Content: Gary Holme
Creative Director(s): Sarah Gencarelli, Gary Holme

Writer(s): Sarah Gencarelli, Gary Holme, and Assorted Freelancers
Art Director(s): Emma Tanaka, Yi Xiang, Gary Holme
Designer: Yi Xiang
Account Lead: Morgan Turner
Managing Director: Christine McArthur
Production Company: Mass Minority Media Studio
Audio Producer: Tom ThorneyAgency Producers/PMs: Jessica Holloway, Jack Taylor
Illustrators: Shingo Shimizu (Stills, Gifs), Danny Williams
Animation: Danny Williams,&#38;nbsp;Shingo ShimizuDesigner(s): Emma Tanaka, Yi Xiang, Gary Holme
Developer: Robbie Barnett-Kemper
</description>
		
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	<item>
		<title>You'll Know Luxury </title>
				
		<link>https://garyholme.com/You-ll-Know-Luxury</link>

		<pubDate>Wed, 22 Jun 2022 00:46:12 +0000</pubDate>

		<dc:creator>Gary Holme</dc:creator>

		<guid isPermaLink="true">https://garyholme.com/You-ll-Know-Luxury</guid>

		<description>Below is the master video for Serta Simmons Canada and three shorter component videos we did in April, featuring reasons why Beautyrest Black is so luxurious to sleep on, and so comfortable, and, so, and...zzzzzz.
See what I did there?









Client: Serta Simmons Canada
Brand: Beautyrest Black
Agency: Mass Minority

CCO: Brett ChannerExecutive Creative Director: Geoff LeeDirector of Art &#38;amp; Content: Gary Holme
Creative Director: Gary Holme
Writer: Gary Holme
Art Director: Gary HolmeManaging Director: Christine McArthur

Storyboard Artist: Gary Holme&#38;nbsp;(ok, enough about me already)
Producers: Jennifer Grandoni, Ethan LoweProduction Company: Mass Minority Productions&#38;nbsp;
Director: Gary Holme
Cameraman: Blair Locke


Editorial/Graphics/SFX/Online/Colour/Audio/British Accent: Tony Gold&#38;nbsp;VO: Marleah Stout
</description>
		
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